l |
In my opinion they deserve a special mention
on any Bolan list. Mike Stipe In particular has said time & time
again ( in interviews) what an influence Marc Bolan was for him. He did the ultimate show
of respect on their 1996 Cd "New Adventures in Hi-Fi" with a track called
"Wake Up Bomb" by adding the Lyric-as chorus:
I get high in my low-ass boot-cut jean
I like being seen
I look good with my drink-eat-no-sleep, take-a-leap longevity
I get high on my attitude, latitude, 1973"
"My head's on fire and high esteem
Get drunk and sing along to Queen
Practice my T-Rex moves and make the scene
Yeah, I'd rather be anywhere doing anything "
Also lead guitarist Peter
Buck acknowleges Marcs influence, which is so apparent in many of the
latter tunes. Ad to this Mike Stipes producing the movie "Velvet Goldmine"
(which had a much larger Bolan type part -that was cut down when they decided to focus
more on the relationship between the two main characters. But still there are 3 T-REX
songs throughout the film-and "Placebo" have had a hit with their cover of
"20th Century Boy"
So heres to You Mike & the rest of R.E.M. for
helping to keep "A little Marc in you Hearts"
Below is an excerpt from a recent interview with
the band:
STIPE WAS NOT ALONE IN HIS ENTHUSIASM FOR GLAM.
On early tapes of R.E.M. live shows in Athens, you can hear them covering a variety of
glitter-laden classics, including T. Rex's "20th Century Boy" (a version by
Placebo leads off the Velvet Goldmine soundtrack). "We always did maybe 10
percent covers because we enjoyed it," says Buck, recalling how covers were frowned
upon in local music circles. "People were acting like we're up there playing 'Smoke
on the Water,' when instead we were doing obscure Troggs and Velvet Underground songs. 
With everything ever recorded available on CD now, you
forget that we were playing Velvet Underground songs when those records were out of print.
I remember somebody came up to me when we did 'There She Goes,' and said, 'Wow, that's
such a great song you guys just wrote.' "It was unhip, but on the other hand, a
lot of our peer group didn't want to ever play anyone else's songs and they ran out of
ideas. I mean, I've played a lot of different stuff and I have a wellspring of
understanding about what a song is that I can fall back on. But you know, the folks in
Pylon, who were one of my favorite bands of all time, they really just ran out of songs to
write. And Randy [Bewley] used really weird guitar tunings, and they really weren't
familiar with other kinds of music, and they got to where they just were not able to
create.
WHILE BUCK SPENDS HIS TIME AWAY FROM R.E.M. on his Seattle side projects
Tuatara and the Minus 5, Stipe continues to involve himself in film. He's executive
producer and helped supervise the music for Velvet Goldmine, Todd Haynes' new film set in
the heyday of the glam-rock era. "I had an older sister who didn't listen to music,
so I came to glam through punk rock, in '75, '76, when I was discovering Patti Smith,
Television, Roxy Music and Magazine," recalls Stipe. "A lot of those people were
talking about the New York Dolls and the Velvet Underground and Iggy and the Stooges, and
you know, glam and alternative lifestyles.

So I went back and kind of found all that stuff.
"As a teenager at 15 or 16 years old--and particularly a teenager who was questioning
my own sexuality and just trying to figure out what the fuck ... you know, what am I, how
do I fit in here--it was great to discover this movement of music, however distant or
however many years had passed since it had been vital, where there was a more fluid
sexuality in a very heterocentric society. Even in the 1970s in the U.S., as open and free
and sexually liberated as everyone was, it was still hard if you were a fag or if you were
queer to figure out exactly where you fit in."
Does Stipe feel those labels have become more rigid again?
After all, the term "bisexual" isn't heard a lot these days. "Yeah, and it
was heard a lot then and it was good, you know? I'm personally against labeling,
particularly something as fluid as desire. To me it doesn't really necessitate labeling,
and bisexual just adds another category. And you know, it's good to have little offshoot
everythings, but no one person is--I'm not going to make that statement--most people do
not fit neatly into the categories that we've laid out culturally. There's a lot of
overlap. And that's where things, for me, get really interesting." |
p |
Granted this isn't
particularly new NEWS, yet it is a subject that is talked about a lot, and
I think it is worthy of a mention here. Every year around the time of Marcs anniversary
this story circulates, I have heard it go from the below excerpt (Mark Paytress's
wonderful book) to Marc sat staring at
the picture for hours. Marc inquired into purchasing the painting. I doubt any of this
is true, what is true is that yes indeed Marc was at the Louvre at the same time this
painting was on display and take from that what you want . Is it in keeping the mystical
side of Marc , yes. Before the British tour
(1977), he had taken T.Rex over to France for a few warm-up dates, which included an
appearance at Le Nashville in Paris. While there, he reacquainted himself with the statues
and paintings in the Louvre which had fired his imagination during the Riggs O'Hara
expedition in 1965. After seeking out the statue of Hercules, he wrote in his tour diary
that it was 'just the artistic inspiration to key the Bolan brain for boogie'. (Left
is the Magritte painting of the tree titled "16th Septembre" in the Louvre.)
|
p |
The controversial release Tribute
to Marc Bolan part of the Tzadik's Great Jewish Composers series.
is now available at many online shops. Including - Soundstone - I will try to reserve my
opinions in
these sections they are just to give you information about a brillaint release like this,oopppppsss. You can also get some more info on
this release at the labels site: "Give
me a C-Major chord and I'll give you a thousand melodies." - Marc Bolan
Highlighting music by some of the greatest Jewish composer in the past several decades,
The Great Jewish Music series has paid tribute to first Burt Bacharach, Serge Gainsbourg
and now British glam-rock pioneer Marc Bolan. Named as a primary influence by seminal punk
rockers like the Ramones and Johnny Rotten, Marc Bolan and his group T. Rex forged a new
music in the early 70's, confounding audiences and critics alike with his mercurial style
changes and experimentations. Rejecting the complex time signatures and
advanced harmonies in fashion at the time, Bolan went back to the basics, bringing a
primitive raunchy edge to his colorful cast of fantasy
characters. This compilation features a spectacular lineup of some of the most adventurous
and creative rockers around, and is sure to be one of the most popular CD presented on the
Tzadik label to date.
Jewish
Composers
Track Listing for the "Jewish Tribute"
As always nice to see Lloyd Cole continuing his support of Marcs music wherever possible.
And a nice surprise to have Sean lennon & Melvins contibuting.
1-Arto Lindsay & Marc Ribot -Children Of the
Revolution
2-Rebecca Moore-Telegram Sam
3- Kramer-Get It On
4- Melvins-Buick MacKane
5- Medeski, Martin & Wood-Groove A Little
6- Lo Galluccio-Cosmic Dancer
7- Fantomas / Mike Patton-Chariot Choogle
8- Tall Dwarfs-Ride A White Swan
9- Chris Cochrane-Rip-Off
10- Gary Lucas-Deboraarobed |
11- Eszter Balint-Mambo Sun
12- Vernon Reid-Jeepster
13- Danny Cohen-Lunacy's Back
14- Oren Bloedow-Life's A Gas
15- Sean Lennon & Yuka Honda-Would I Be The One
16- Cake Like-Love Charm
17- Trey Spruance-Scenescof
18- Buckethead-20th Century Boy
19- Lloyd Cole-Romany Soup |
Most of the cuts are amazing if challenging
listening the first time through. Do not expect the usual rock n roll-style covers though,
or you will be sorely disappointed. |